RECOMMENDED The most conspicuous observation about Hashimoto’s installations is they’re comprised solely of four elements: nylon string, wood, rice paper and acrylic paint, yet the end result is much more complex and stunning than these basic materials might initially suggest. “Omnibus” means “many items” and Hashimoto runs the gamut with stars, stripes, hexagons, flowers and other images instilled inside circular paper pieces attached to slivers of wood and strung together in taut symmetrical vertical lines. He hand-paints the pictures on the paper, each one distinct from the next, like snowflakes. Fifteen panels mount the wall, each forming an individual identity while working together as a whole piece. Grass to multicolored, rounded lollipops and plaid tiles form several layers starting from small progressing into large. Each installation integrates solid white spheres mixed in with a kaleidoscope of colors, shapes and patterns popping into 3D. Aside from Omnibus, Hashimoto paints red and black triangular kites and floral patterns. Akin to his 2005 “Super Abundant Atmosphere II” exhibit of cloud-like objects, Hashimoto crafts squares and butterfly outlines on paper strung together flowing upward to the ceiling festooning the entrance way. Through his art, he controls the chaos of nature but manages to maintain its majesty. (Garin Pirnia)
