The walls of Phaiz have been transformed by graffiti artist Jersey Joe Rime. Rime’s letter styling has brought him recognition in and beyond the graffiti world, and the word “Chicago” stands out high and proud on the east wall. Just below the city name and not to be overshadowed, looms a massive, detailed vagina. The giant vag seems artistically appropriate and gratifyingly accurate, not crass. Though Rime’s roots are in the graffiti style he also creates fine art and apparel designs. Phaiz is a boutique where “fashion and art collide” and Rime’s artistic backdrop sets the tone for the presentation of visiting designers’ screen print ensembles and hand-crafted jewelry. Rime’s instillation is certainly something to see if you’re in the area. (Rachel Turney)
Through September 14 at Phaiz, 673 N. Milwaukee Ave., (312) 226-9070.
Related Stories
For Us: A Review of "Something from Something" at Engage Projects Kushala Vora and Adia Sykes’ collaboration "Something from Something" tells us as viewers that knowledge, art, creation, inspiration, love—really anything you can think of—has a place of origin.
Looking Down: A Review of Bob Tanner at Perspective After the loss of his wife, Bob Tanner made two photography series, “At Ocean’s Edge” and “At Winter’s Edge,” that are shown in this meditative show filled with graceful visual poetry.
Women Behind the Lens: A Review of "From Her to Eternity" Courtney Love curates on the street. Just west of Wabash on the corner of Eighth Street, there is a wall of stellar rock star images that includes a special collection made by women photographers over the years.
Microcosm: A Review of “Dialogues” at Patron Through each artist-relationship, "Dialogues" offers the viewer a rare opportunity to witness the direct connections that flow through the electric nervous system that both infiltrates and generates Chicago's art world.
All Too Real: A Review of “Not All Realisms” at The Smart Museum In the compelling exhibition currently on display at the Smart Museum, photographs tell the story of the sixties in Africa. It was a decade of change, resistance, revolution and hard-won independence in many African countries.
Excavated Images: A Review of “Life Against Itself” at Patron For the better part of a decade, the L.A.-based artist has used a variety of bladed tools to make her signature alla prima monochromatic gestural abstractions. In the last year, however, the hand has cut off the knife.
