The functional porcelain exhibit at the Lillstreet Art Center highlights several pieces that, upon first glance, seem to misunderstand the concept of the functional. Many of the pieces resemble sculptures, speaking to modern design, classical Greek architecture and Asian influences.These works did become “increasingly interesting with multiple viewings,” as stated by Sam Chung, the juror for the Art Center’s First Annual International Exhibition. The most interesting facet of the show resides in the fact that the pieces are functional, but unassumingly so. Porcelain teapots and vases are so masterfully crafted that their functional uses become secondary to their design. The exhibition consists of work done by twenty-four artists, all of whom share a sense of non-traditional forms and playful use of color.Ben Bates’ pagoda-style urn and Gillian Parke’s elegant floral vase display a solid sense of color and design while remaining functional and accessible. Other works of interest include Sam Scott’s work, an equal mix of organic shapes mixed with clean, modern, black-and-white matte glazing, as well as Nancy Monsebroten’s highly detailed porcelain jar, a stunning example of a piece that makes no sacrifices to form or function.Juried by Sam Chung, the show represents the diversity of porcelain and its many uses. (Shama Dardai)
Through September 28 at Lillstreet Art Center, 4401 N. Ravenswood
