• Skip to primary navigation
  • Skip to content
  • Skip to primary sidebar

Newcity Art

Visual Art Culture of Chicago and Beyond

  • Newcity
    • Newcity Network
    • Best of Chicago
  • Art
    • About Newcity Art
    • Featured Exhibitions
    • Breakout Artists
  • Brazil
  • Design
  • Film
  • Lit
  • Music
  • Resto
  • Stage

Portrait of the Artist: Mindy Rose Schwartz

October 6, 2008 at 1:11 pm by Art Editor

by Art Editor
October 6, 2008October 6, 2008Filed under:
  • Artist Profiles
  • Humboldt Park
  • Installation

The art of Mindy Rose Schwartz helps me understand the city where I live: a landscape of endless avenues and rows of mid-century bungalow homes, bricks bracing for the chill, and corner bars touting an old style—a style not updated in decades but drunk down with pride. As radiators creak on for the first time this season, and the scent of winter’s onset hits the air, the mind is tugged back through some retrograde memories. But that smell isn’t mom’s cooking; it’s just a years’ worth of collected dust burning on the open radiator grill. Sometimes Chicago feels like a city-sized family room.

Macramé is a major component of Mindy Rose Schwartz’s sculptures. Just as knitting had its popular resurgence recently and crossed gender and generational lines, macramé was in full force in the 1960s and 70s. Knotters of the thin white rope proclaimed their medium’s potential to not only decorate a hanging plant, but also wore it as an emblem of the female movement. That is, where the first feminists decried crafts including macramé as pigeonholing femininity, the second wave found pride in so-called women’s work. That so much knotted rope can be tossed between ideologies and interior decoration delights Schwartz, but her work does not take a stance either way. To Schwartz, these forces animate macramé, along with other objects of personal value, and that is a good thing.

“I love to make things,” says Schwartz. She created and teaches a course for art students called Extreme Craft that explores the boundaries of the handmade. Her current exhibition of new sculpture features objects both literally and figuratively transported from her suburban Skokie childhood home. Many flaunt macramé, and some are without. The whole series is on view at Old Gold, an exhibition space in the wood-paneled basement of a Humboldt Park home.

Because Schwartz’s sculptures frequently conjure a suburban, middle-class experience, their presentation in Old Gold’s setting is like a fated love affair. One macramé web occurs on and around a fireplace. Mantles are common exhibition venues (perhaps the domestic curiosity cabinet), and here Schwartz delivers a hulking tangle of material that packs all the personality of Diane Arbus’ photograph of an oversize Christmas tree. Schwartz also creates her own credenza-type display shelves to host an assortment of ghost-like figurines, flowery ornamentation in metal, and mini Constructivist-esque wood assemblages. For Old Gold, she created some intentional pieces of décor such as ceramic owls for the basement’s built-in bar nook.

I asked Schwartz about the state of rawness or roughness—or even intentional ugliness—in her art. “It’s a real part of the world,” she says. “Prettiness and nausea”—they coexist. (Jason Foumberg)

Mindy Rose Schwartz shows at Old Gold, 2022 North Humboldt, basement entrance, through October 19.

Share this:

  • Facebook
  • Twitter
  • Email
  • More
  • Print
  • Tumblr
  • Pinterest
  • Google

Related

Tagged:
  • Diane Arbus
  • Mindy Rose Schwartz
  • Old Gold

Post navigation

Previous Post Review: Francis Alÿs/Renaissance Society
Next Post Eye Exam: Identifying Marks

Primary Sidebar

Popular Stories

  • Navigating Desire Between Connection and Anonymity, A Review of Christopher Aque at Regards
    Navigating Desire Between Connection and Anonymity, A Review of Christopher Aque at Regards
  • This Major Retrospective Asks How "To Paint The Indian"? A Review of Rick Bartow at the Schingoethe Center
    This Major Retrospective Asks How "To Paint The Indian"? A Review of Rick Bartow at the Schingoethe Center
  • Art 50: Chicago's Artists' Artists
    Art 50: Chicago's Artists' Artists
  • Breakout Artists 2017
    Breakout Artists 2017
  • Casting Colorful Spells On A Troll Cult: A Review of Molly Colleen O’Connell at Julius Caesar
    Casting Colorful Spells On A Troll Cult: A Review of Molly Colleen O’Connell at Julius Caesar

Copyright Newcity Communications, Inc. © 2018

loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.