Plein air paintings usually aren’t this large—48” high—because they take so long to finish, especially if they are distant, panoramic views as one might see from the window of an auto driving through the countryside. But that’s the kind that Baltimore artist Henry Coe is now showing at Gallery KH. Or at least they feel plein air because there’s the rough, quick, excited brush work and the sense of actually being on site for one thrilling moment on a beautiful, sunny day. Actually, these paintings were finished made in a studio, start to finish, but they were based on plein air sketches, not photographs. That’s what makes them so enjoyable, as well as that energized surface that one would more likely find in modern abstract painting. So it’s the best of both worlds: the fun of feeling like you’re outdoors, along with the formal intensity of abstract painting. As an extra bonus, Gallery KH is also showing the landscapes of several of their other artists, all of them very good, and all of them quite different. (Chris Miller)
Henry Coe shows at Gallery KH, 311 W. Superior St., (312)642-0202, through January 5.
Weather Patterns: A Review of John Santoro at McCormick Gallery Talking about the weather, as painter John Santoro notes, was once just a mundane space filler. Now, with more than a few “warmest year on record” behind us, the weather has become a significant concern.
Actually, these paintings are completed 85 – 90% on site. Mr. Coe leaves only sparse details to be completed in his Baltimore studio. The paintings from this exhibit were executed in either Maine, Maryland, Pennsylvania or Northern France.
I was only reporting what I had read on the KH Gallery’s very own website – which as of today — still reads as follows: “For the past several years, Henry Coe has traveled extensively, camping outdoors and recording his surroundings in the form of oil studies on paper. These studies are preliminaries for larger works, which he completes in his studio.” But… does it really make any difference ? I suppose it would be an extraordinary, remarkable feat to complete these large paintings in one sitting, out-of-doors — you’ve only got a few hours to work as the light… Read more »
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Actually, these paintings are completed 85 – 90% on site. Mr. Coe leaves only sparse details to be completed in his Baltimore studio. The paintings from this exhibit were executed in either Maine, Maryland, Pennsylvania or Northern France.
I was only reporting what I had read on the KH Gallery’s very own website – which as of today — still reads as follows: “For the past several years, Henry Coe has traveled extensively, camping outdoors and recording his surroundings in the form of oil studies on paper. These studies are preliminaries for larger works, which he completes in his studio.” But… does it really make any difference ? I suppose it would be an extraordinary, remarkable feat to complete these large paintings in one sitting, out-of-doors — you’ve only got a few hours to work as the light… Read more »