Donna Hapac belongs to a group of daring sculptors who choose to reinvent what counts as material for fine art. Artists like Eva Hesse, Petah Coyne and Dan Flavin each respectively brought non-traditional mediums of latex, hair and florescent tubing into the fine art vocabulary. Now, with the work of Hapac, we have the appropriation of the acrylic nail as fine art medium.
Hapac’s show at the Koscielak Gallery is a sampling of the “nail” works along with a handful of her bent reed constructs as well. In these two sets of structures, form is dictated by their medium. The candy-colored “Helix” is comprised of linked acrylic nails arranged in a vertical spiral that unfurls as it curves upward. The pieces that use the unadulterated nail form, sans color, are among her most convincing work. It’s amazing how the unenhanced acrylic nail lends a slick, translucent and ghost-like feel to her “Creature” series. When combined, the nail’s white scoop shapes together with the ragged, unkempt frizz of the string’s raw edges lend her creature works organic credibility. The viewer can almost feel these creatures gently swaying back and forth in the undulations of an underwater current.
Ultimately, what does Hapac’s use of acrylic nails as a medium amount to? Any social commentary inherent in this specifically cultural object is transformed into a formal delight, giving new life to the artificial. (MK Meador)
Repurposing AI: A Review of Stephanie Dinkins at Stamps Gallery While this show is timely for everyone, I consider its setting within a university art gallery and emerging tech hub like the city of Ann Arbor a subversive provocation which Dinkins invites the greater public—including members of the university community—to consider our own positionality to AI and technology.
Lost in Translation: A Review of Crip* at Gallery 400 The strongest works in the exhibition succinctly express the ways the artist relates to their own body while calling out how the artist’s body and body of work has been perceived or coded against norms or ideals.
Weather Patterns: A Review of John Santoro at McCormick Gallery Talking about the weather, as painter John Santoro notes, was once just a mundane space filler. Now, with more than a few “warmest year on record” behind us, the weather has become a significant concern.
