Revolutionary socialism lives on the gallery walls in Fred Lonidier’s full-frontal attack-installation denouncing capitalist globalization and the North American Free Trade Agreement that is composed of photographs, graphics and copious text in Spanish and English taken from articles on “Imperialist Corporations” that appeared in the old-left Monthly Review. Maybe, as it becomes excruciatingly obvious that capitalism is the last thing from a panacea, a jolt of intellectualized rage decorated with inspiring images of the Mexican wretched of the earth rising in protest against their abysmal working conditions is just what we need. In any case, Lonidier proves that no ideology ever dies and that even a way of thinking and seeing in which plodding and tendentious theory cohabits with passionate uplift can still find adherents in a cool and fragmentary electronic mediascape. (Michael Weinstein)
Through January 31 at ARC Gallery, 832 W. Superior St. #204
Lost in Translation: A Review of Crip* at Gallery 400 The strongest works in the exhibition succinctly express the ways the artist relates to their own body while calling out how the artist’s body and body of work has been perceived or coded against norms or ideals.
Repurposing AI: A Review of Stephanie Dinkins at Stamps Gallery While this show is timely for everyone, I consider its setting within a university art gallery and emerging tech hub like the city of Ann Arbor a subversive provocation which Dinkins invites the greater public—including members of the university community—to consider our own positionality to AI and technology.
Weather Patterns: A Review of John Santoro at McCormick Gallery Talking about the weather, as painter John Santoro notes, was once just a mundane space filler. Now, with more than a few “warmest year on record” behind us, the weather has become a significant concern.
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