RECOMMENDED
The Center’s winter exhibit follows tradition by showcasing seven young photographers working in diverse modernist genres, including abstraction, street shooting, nature studies, ambient social photography and the documentary in black and white and color. For sheer conceptual precision, creative imagination, passion and technical skill, Nathalie Marroquin steals the show with her black-and-white series, “Life in the 1940s,” in which she set herself up in a tacky vintage flat and proceeded to make herself the star in a drama of everyday domesticity with the aim of showing what she had learned from a study of an era of war on the domestic front–the refusal to “give up” in the face of adversity. A sense of meditative loneliness suffuses Marroquin’s sensitive shadowed images, as we see her cleaning a glass cabinet with a feather duster or cranking a mechanical egg beater in a mixing bowl. Marroquin confesses that she gets a “rush” when she performs these humble tasks before the camera, and we will experience the same when we watch her suspended in a time she never knew. (Michael Weinstein)
Through April 30 at the Chicago Photography Center, 3301 N. Lincoln