In addition to being an acclaimed venue for public art, Millennium Park has a populist mandate, and the balance between popular appeal and artistic excellence is a difficult one. Chen Wenling’s “Valiant Struggle,” one of four new large-scale sculptures from China introduced into the park, is a critique of an increasingly capitalistic and consumerist Chinese society, but the funhouse aesthetic, especially in the park, reduces the sentiment.
More seriously, the work by Sui Jianguo and Shen Shaomin references international relations and tensions. Jianguo’s “Windy City Dinosaur” is a near-actual-size T-Rex with “Made In China” attached to its stomach that could allude to controversial Chinese toy exports or the many fossil excavations going on in China. Shaomin’s “Kowtow Pump” consists of several oil derricks covered in camouflage and are motorized at different speeds. Kowtow is the act of bowing in respect, and the piece references our continued oil dependence. Seeing it in action is integral but disappointingly it will only run once daily, during tours.
Zhan Wang’s “Jia Shan Shi No. 46” reaches back to tradition and connects to the contemporary without gimmicks. It is a stainless-steel copy of a Chinese scholar stone, which, in its original form, is used for meditation. Wang updates this tradition for twenty-first century China. However, most people seemed more inclined to give it a knock to see if it was hollow than to give it contemplation. Hopefully the artistic message of this and the other sculptures will not be lost on everyone. (Abraham Ritchie)
Through October 11 at Millennium Park, Monroe Street at Michigan Avenue.
Upending the Kingdom: An Interview with Amber Ginsburg about her Living Sculpture “Untidy Objects" “Untidy Objects" is a living sculpture. One could be forgiven for entering “Untidy Objects” and assuming that it was simply a garden or a wild green space. But a closer look at the work exposes a questioning of the entire concept of individuality, and the Western perspectives of subject and object.
Evocative Materials: A Review of Marian Carow at Hyde Park Art Center The stars of the show are cardboard sculptures that manifest Carow’s strategy of combining improvisation with relentless curiosity to reveal the latent potential within a commonplace material that sustains our online economy.
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