An old-school street photographer, based in Chicago and in love with its bittersweet ironies, Jon Fjortoft is equally at home in the stark industrial parks in the ‘burbs and the teeming avenues of the Loop. Shooting in black-and-white, Fjortoft shows his talent for evoking emotion in his moody gray studies of long low-rise warehouses, factories and offices that sprouted up in and around Chicago after World War II and were the essence of inelegant stripped-down form following function. Unlike Bob Thall’s famous series on the antiseptic commercial parks of Schaumburg, Fjortoft’s suburban studies do not radiate the feelings of the lonely existentialist in a technocratic landscape, but, instead, draw us into intimacy with humble utilitarian structures that our vision dominates. The images are small, the buildings are often set in landscaped or snow-covered foregrounds, and they are all too familiar—items in our world that never threaten to engulf us. (Michael Weinstein)
Through June 27 at the Chicago Cultural Center, 78 E. Washington