Uta Barth, "... and to draw a bright white line with light (Untitled 11.3)," 2011. Inkjet print
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A conjurer of visual effects in the quiet setting of her Los Angeles home as it interfaces with her yard outside through its windows, Uta Barth has explored the eye’s exhaustion by taking repeated photos of a tree, the liminal state of dusk in one of her rooms and, most recently, the play of ribbons of light on a curtain. In her latest body of work, “…and to draw a bright white line with light,” Barth has dropped any pretension to representation and has crimped and spread the curtain to make the light-line undulate with wavelike rhythms, broadening and narrowing against an off-white nearly monochromatic background. The result is a series of hypnotic images that deploy abstraction to put us into reveries that concentrate attention on the simultaneity of stillness and irregular movement. By giving herself over to abstraction, Barth beckons us to a psychedelic experience in the most faded of colors. (Michael Weinstein)
Through August 14 at the Art Institute of Chicago, 111 South Michigan.
Serene Balance: A Review of Lygia Pape at The Art Institute of Chicago Featuring nearly one hundred woodblock prints, “Lygia Pape: Tecelares” is as expansive as it is focused. Offering viewers the unique opportunity to examine in-depth the late Brazilian modernist’s 1950s engagement with printmaking.
