Take eleven veteran Chicago photographers and set them to the task of showcasing the deeds of civic, social service and political activist groups—inspired by the Kay Rosen public art project “Go Do Good”—and most of them end up producing images that could grace brochures and newspaper features—everything and everyone are resolutely goody-goody to the max. The one stellar exception is Emily Long, who chose to document the work of Preservation Chicago by shooting the buildings on the group’s list of “the most at-risk architectural treasures” with a pinhole camera. The distortions of shape and the chiaroscuro effects of the pinhole transform Long’s subjects into structures that seem to be plucked from a surreal gothic romance. Surrounded by murky shadowy black, Children’s Memorial Hospital in Lincoln Park, which will soon be vacated, appears in a circle of dull light, isolated like a castle in Transylvania. Long subverts “goodness” and dissolves document into fantasy with welcome effect. (Michael Weinstein)
The American Experiment: A Review of Is It A Good Time? at Mana Contemporary There is variety in the work indeed, and yet in so many of the pieces there are suggestions of duality. It makes sense—all the artists whose work is featured are currently living in America and experiencing it through the lens of a different culture.
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flip89
9 years ago
Great job Emily (and thanks Michael)!
empokay
9 years ago
Well deserved credit to Emily for taking a fresh approach ! She “did good” herself by drawing attention to Preservation Chicago’s list, helping the critic and the public see those buildings in a new way, finding an application for a technique that many often dismiss as an arty gimmick or throwback, or at best a teaching tool. Congratulations indeed. Too bad the writer only appreciated the most obvious departure from straight documentary work. Ron Gordon also broke new ground by sequencing multiple images in single frames and arranging his whole wall to deepen the emotional impact of his essay. The… Read more »
Great job Emily (and thanks Michael)!
Well deserved credit to Emily for taking a fresh approach ! She “did good” herself by drawing attention to Preservation Chicago’s list, helping the critic and the public see those buildings in a new way, finding an application for a technique that many often dismiss as an arty gimmick or throwback, or at best a teaching tool. Congratulations indeed. Too bad the writer only appreciated the most obvious departure from straight documentary work. Ron Gordon also broke new ground by sequencing multiple images in single frames and arranging his whole wall to deepen the emotional impact of his essay. The… Read more »