by B. David Zarley | October 16, 2018Building the Body from the Inside Out: A Review of Edie Fake at Western Exhibitions
by B. David Zarley | July 17, 2018A Rent Screen: Samantha Fickel Explores the Digital and Liminal at Stuart & Co.
by B. David Zarley | June 15, 2018Sand, Sea, and the Sublime: A Review of Whitney Bedford at Carrie Secrist Gallery
by B. David Zarley | February 24, 2018Aesthetic Absurdity that Matches the Madness of Our Times: A Review of Nina Chanel Abney at the Chicago Cultural Center
by B. David Zarley | October 10, 2017Kintsukuroi-Inspired Lines Offer Caution and Hope: A Review of Karen Reimer at Monique Meloche
by B. David Zarley | September 7, 2017Instagram, Blogs and Selfie Sticks as New Tools for Conversations About Art A Conversation with Naomi Beckwith and Romi Crawford
by B. David Zarley | June 27, 2017Deftly and Defiantly Decolonial A Review of Huong Ngo at the DePaul Art Museum
by B. David Zarley | May 23, 2017Painting the Unchecked Pleasures and Unformed Horrors of Childhood A Review of Kristian Bruce at Stuart & Co. Gallery
