March 15, 2021 at 7:00 am by Chris ReevesThe Banality of Zoom: The Busan Biennale Comes (Virtually) to Chicago
November 5, 2018 at 1:30 pm by Chris ReevesWhat Ever Happened To Taking A Chance? A Review of “Hairy Who? 1966–1969” at the Art Institute of Chicago
May 30, 2018 at 1:30 pm by Chris ReevesThere Goes the Neighborhood: A Review of “The Strange Fields of This City” at the Chicago Artists Coalition
March 20, 2018 at 3:30 pm by Chris ReevesAnachronism As Abstraction: A Review of Cathy Hsiao at Goldfinch Gallery
February 20, 2018 at 1:30 pm by Chris ReevesEnigmatic Propositions on the Past and Present of Human Migration: A Review of Ellen Rothenberg at the Spertus Institute
September 26, 2017 at 3:30 pm by Chris ReevesDelayed Departure: A Review of Roni Packer and Michael Lopez at Roots and Culture
September 20, 2017 at 3:30 pm by Chris ReevesThe Artist’s Corpus Disfigured: A Review of Lilli Carré at Western Exhibitions
August 14, 2017 at 8:30 am by Chris ReevesDrawing America from an Immigrant’s View: A Review of “Along the Lines: Selected Drawings by Saul Steinberg” at the Art Institute of Chicago
July 5, 2017 at 8:30 am by Chris ReevesMake Art, Be Happy Radical Artistic Collaboration in Rogers Park
January 13, 2017 at 8:30 am by Chris ReevesPlayful Paintings Beguile in Our “Post-Truth” Present A Review of Erin Hayden at Randy Alexander Gallery
