by Chris Reeves | July 25, 2023A Poem to Non-Human Actors: A Review of Kayla Anderson and Dao Nguyen at Comfort Station
by Chris Reeves | August 29, 2022Fertile Ground: MdW Fair Hopes to Seed Collectivity and Artist-Led Change
by Chris Reeves | September 15, 2021A Praxis of Art and Life: A Review of Moki Cherry at Corbett vs. Dempsey
by Chris Reeves | March 15, 2021The Banality of Zoom: The Busan Biennale Comes (Virtually) to Chicago
by Chris Reeves | November 5, 2018What Ever Happened To Taking A Chance? A Review of “Hairy Who? 1966–1969” at the Art Institute of Chicago
by Chris Reeves | May 30, 2018There Goes the Neighborhood: A Review of “The Strange Fields of This City” at the Chicago Artists Coalition
by Chris Reeves | March 20, 2018Anachronism As Abstraction: A Review of Cathy Hsiao at Goldfinch Gallery
