March 20, 2018 at 3:30 pm by Chris Reeves Anachronism As Abstraction: A Review of Cathy Hsiao at Goldfinch Gallery
February 20, 2018 at 1:30 pm by Chris Reeves Enigmatic Propositions on the Past and Present of Human Migration: A Review of Ellen Rothenberg at the Spertus Institute
September 26, 2017 at 3:30 pm by Chris Reeves Delayed Departure: A Review of Roni Packer and Michael Lopez at Roots and Culture
September 20, 2017 at 3:30 pm by Chris Reeves The Artist’s Corpus Disfigured: A Review of Lilli Carré at Western Exhibitions
August 14, 2017 at 8:30 am by Chris Reeves Drawing America from an Immigrant’s View: A Review of “Along the Lines: Selected Drawings by Saul Steinberg” at the Art Institute of Chicago
July 5, 2017 at 8:30 am by Chris Reeves Make Art, Be Happy Radical Artistic Collaboration in Rogers Park
January 13, 2017 at 8:30 am by Chris Reeves Playful Paintings Beguile in Our “Post-Truth” Present A Review of Erin Hayden at Randy Alexander Gallery
October 6, 2016 at 2:30 pm by Chris Reeves Considering Art’s Relational Capacities to Site and Space Fieldwork’s “More Strange Than True” in Profile
September 6, 2016 at 10:30 am by Chris Reeves Not Another Exhibition Catalog A Review of “Rules, Tools and Fools” at Spudnik Press Cooperative
July 21, 2016 at 10:30 am by Chris Reeves Artists Play With Objectified Ideas A Review of “PDF-Objects” at Mana Contemporary
