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Chris Reeves

November 5, 2018 at 1:30 pm by Chris Reeves

What Ever Happened To Taking A Chance? A Review of “Hairy Who? 1966–1969” at the Art Institute of Chicago

May 30, 2018 at 1:30 pm by Chris Reeves

There Goes the Neighborhood: A Review of “The Strange Fields of This City” at the Chicago Artists Coalition

March 20, 2018 at 3:30 pm by Chris Reeves

Anachronism As Abstraction: A Review of Cathy Hsiao at Goldfinch Gallery

February 20, 2018 at 1:30 pm by Chris Reeves

Enigmatic Propositions on the Past and Present of Human Migration: A Review of Ellen Rothenberg at the Spertus Institute

September 26, 2017 at 3:30 pm by Chris Reeves

Delayed Departure: A Review of Roni Packer and Michael Lopez at Roots and Culture

September 20, 2017 at 3:30 pm by Chris Reeves

The Artist’s Corpus Disfigured: A Review of Lilli Carré at Western Exhibitions

August 14, 2017 at 8:30 am by Chris Reeves

Drawing America from an Immigrant’s View: A Review of “Along the Lines: Selected Drawings by Saul Steinberg” at the Art Institute of Chicago

July 5, 2017 at 8:30 am by Chris Reeves

Make Art, Be Happy Radical Artistic Collaboration in Rogers Park

January 13, 2017 at 8:30 am by Chris Reeves

Playful Paintings Beguile in Our “Post-Truth” Present A Review of Erin Hayden at Randy Alexander Gallery

October 6, 2016 at 2:30 pm by Chris Reeves

Considering Art’s Relational Capacities to Site and Space Fieldwork’s “More Strange Than True” in Profile

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