July 9, 2018 at 8:30 am by Luke Fidler Every Tone A Little Jaundiced: A Review of Ivan Albright at the Art Institute of Chicago
July 2, 2018 at 1:30 pm by Luke Fidler Elusive Allusions Of The Body: A Review of Rachel Niffenegger at Western Exhibitions
June 5, 2018 at 8:30 am by Luke Fidler Dialectics of Difference and Repetition in a Repertoire of Forms: A Review of Richard Rezac at the Renaissance Society
May 24, 2018 at 8:30 am by Luke Fidler Master Prints Shed Light On the Century Before French Art Was In Vogue: A Review of “Art in Seventeenth-Century France” at the Smart Museum
April 7, 2018 at 8:30 am by Luke Fidler This Major Retrospective Asks How “To Paint The Indian”? A Review of Rick Bartow at the Schingoethe Center
March 21, 2018 at 12:00 pm by Luke Fidler Of Divine and Diminutive Devotion: A Review of “The Medieval World at Our Fingertips” at the Art Institute of Chicago
March 5, 2018 at 8:30 am by Luke Fidler Ancient Egyptians Literally Wrote The Book On The Afterlife: A Review of “The Book of the Dead: Becoming God in Ancient Egypt” at the Oriental Institute
January 30, 2018 at 8:30 am by Luke Fidler The View from the Bleachers: A Review of “Hand-Eye Coordination: Sports and Art” at Western Exhibitions
January 19, 2018 at 3:30 pm by Luke Fidler Between the Body and the Touchscreen: A Review of “Murmurs and Palpitations: Her Environment #7” at TCC Gallery
December 7, 2017 at 8:30 am by Luke Fidler Lionizing The Master Of Modern Sculpture Once Again: A Review of Auguste Rodin at the Art Institute of Chicago
