April 11, 2019 at 8:30 am by Luke FidlerArt That Refuses to Be Walked All Over: A Review of Jessica Campbell at the Museum of Contemporary Art
October 19, 2018 at 8:30 am by Luke FidlerStunning Stills of a City on the Make: A Review of “Never A Lovely So Real” at the Art Institute of Chicago
October 4, 2018 at 8:30 am by Luke FidlerForms of Inequality: A Review of Shadi Habib Allah at the Renaissance Society
July 9, 2018 at 8:30 am by Luke FidlerEvery Tone A Little Jaundiced: A Review of Ivan Albright at the Art Institute of Chicago
July 2, 2018 at 1:30 pm by Luke FidlerElusive Allusions Of The Body: A Review of Rachel Niffenegger at Western Exhibitions
June 5, 2018 at 8:30 am by Luke FidlerDialectics of Difference and Repetition in a Repertoire of Forms: A Review of Richard Rezac at the Renaissance Society
May 24, 2018 at 8:30 am by Luke FidlerMaster Prints Shed Light On the Century Before French Art Was In Vogue: A Review of “Art in Seventeenth-Century France” at the Smart Museum
April 7, 2018 at 8:30 am by Luke FidlerThis Major Retrospective Asks How “To Paint The Indian”? A Review of Rick Bartow at the Schingoethe Center
March 21, 2018 at 12:00 pm by Luke FidlerOf Divine and Diminutive Devotion: A Review of “The Medieval World at Our Fingertips” at the Art Institute of Chicago
March 5, 2018 at 8:30 am by Luke FidlerAncient Egyptians Literally Wrote The Book On The Afterlife: A Review of “The Book of the Dead: Becoming God in Ancient Egypt” at the Oriental Institute
