June 5, 2018 at 8:30 am by Luke FidlerDialectics of Difference and Repetition in a Repertoire of Forms: A Review of Richard Rezac at the Renaissance Society
May 24, 2018 at 8:30 am by Luke FidlerMaster Prints Shed Light On the Century Before French Art Was In Vogue: A Review of “Art in Seventeenth-Century France” at the Smart Museum
April 7, 2018 at 8:30 am by Luke FidlerThis Major Retrospective Asks How “To Paint The Indian”? A Review of Rick Bartow at the Schingoethe Center
March 21, 2018 at 12:00 pm by Luke FidlerOf Divine and Diminutive Devotion: A Review of “The Medieval World at Our Fingertips” at the Art Institute of Chicago
March 5, 2018 at 8:30 am by Luke FidlerAncient Egyptians Literally Wrote The Book On The Afterlife: A Review of “The Book of the Dead: Becoming God in Ancient Egypt” at the Oriental Institute
January 30, 2018 at 8:30 am by Luke FidlerThe View from the Bleachers: A Review of “Hand-Eye Coordination: Sports and Art” at Western Exhibitions
January 19, 2018 at 3:30 pm by Luke FidlerBetween the Body and the Touchscreen: A Review of “Murmurs and Palpitations: Her Environment #7” at TCC Gallery
December 7, 2017 at 8:30 am by Luke FidlerLionizing The Master Of Modern Sculpture Once Again: A Review of Auguste Rodin at the Art Institute of Chicago
December 4, 2017 at 8:30 am by Luke FidlerWhen Indigenous Politics and Environmental Catastrophe Collide: A Review of Faith Wilding at Western Exhibitions
November 3, 2017 at 8:30 am by Luke FidlerFluid Bodies, Still Pictures: A Review of Disruptive Perspectives at the Museum of Contemporary Photography
