by Rafael Francisco Salas | August 29, 2023The Madeleine Moment: A Review of “Florence/Somerset” at Alice Wilds Gallery
by Rafael Francisco Salas | February 17, 2023A New Vision: A Review of Milwaukee’s Sarah Ball Allis Art Museum
by Rafael Francisco Salas | December 22, 2022Celestial Aspirations: A Review of David R. Harper’s “Zodiac” at the Racine Art Museum
by Rafael Francisco Salas | February 18, 2022Pixelated Utopia: A Review of Hyper-Contemporary at Real Tinsel
by Rafael Francisco Salas | December 15, 2021Reclaiming Memory: A Review of Herman Aguirre at Zolla/Lieberman Gallery
by Rafael Francisco Salas | June 11, 2021Majestic Textiles: A Review of Shari Urquhart’s Mustn’t Touch
by Rafael Francisco Salas | April 26, 2021Reinvention, Revolution: An Experiment in the Museum of the Future is Taking Shape in Appleton, Wisconsin
by Rafael Francisco Salas | January 8, 2021Abstracting Lived Experience: A Review of Leslie Smith III at Hawthorn Contemporary
by Rafael Francisco Salas | September 18, 2020A Milwaukee Artist Finds Power in the Quotidian: A Review of Ariana Vaeth at Lynden Sculpture Garden
