December 22, 2022 at 7:00 am by Rafael Francisco SalasCelestial Aspirations: A Review of David R. Harper’s “Zodiac” at the Racine Art Museum
February 18, 2022 at 7:00 am by Rafael Francisco SalasPixelated Utopia: A Review of Hyper-Contemporary at Real Tinsel
December 15, 2021 at 7:00 am by Rafael Francisco SalasReclaiming Memory: A Review of Herman Aguirre at Zolla/Lieberman Gallery
June 11, 2021 at 7:00 am by Rafael Francisco SalasMajestic Textiles: A Review of Shari Urquhart’s Mustn’t Touch
April 26, 2021 at 7:00 am by Rafael Francisco SalasReinvention, Revolution: An Experiment in the Museum of the Future is Taking Shape in Appleton, Wisconsin
January 8, 2021 at 7:00 am by Rafael Francisco SalasAbstracting Lived Experience: A Review of Leslie Smith III at Hawthorn Contemporary
September 18, 2020 at 7:00 am by Rafael Francisco SalasA Milwaukee Artist Finds Power in the Quotidian: A Review of Ariana Vaeth at Lynden Sculpture Garden
June 26, 2020 at 7:00 am by Rafael Francisco SalasThe Chipstone Foundation Offers a Quiet Remove for Examining American Material Culture
April 3, 2020 at 8:00 am by Rafael Francisco SalasPanache, But Not Enough Potency: A Review of A Cat May Look On A Queen at The Green Gallery