February 19, 2020 at 10:24 am by Ryan FilchakDoubling in the Dark: A Review of Morgan Mandalay at Extase
January 9, 2019 at 1:30 pm by Ryan FilchakEscaping the Archivist’s Folly: A Review of Jeremy Bolen at Soccer Club Club
November 28, 2018 at 1:30 pm by Ryan FilchakLaughing at the Image Screen: A Review of Sara Greenberger Rafferty at Document
April 18, 2018 at 8:30 am by Ryan FilchakNavigating Desire Between Connection and Anonymity: A Review of Christopher Aque at Regards
October 18, 2017 at 8:30 am by Ryan FilchakHere Comes the Bogeyman: A Review of Tony Lewis at Shane Campbell Gallery
June 7, 2017 at 8:30 am by Ryan FilchakUnfolding Minimalism A Review of Robert Burnier at Andrew Rafacz Gallery
February 21, 2017 at 8:30 am by Ryan FilchakStill Lifes for the Touchscreen Age A Review of Alejandro Jimenez-Flores at ADDS DONNA
November 11, 2016 at 10:30 am by Ryan FilchakPaintings Glow in a Repurposed Northwest Side Bar A Review of “The Noise of Art” at Soccer Club Club
October 7, 2016 at 10:30 am by Ryan FilchakComposing New Choreography for a Modernist Favorite A Review of Amalie Jakobsen at Efrain Lopez Gallery