by Ryan Filchak | January 9, 2019Escaping the Archivist’s Folly: A Review of Jeremy Bolen at Soccer Club Club
by Ryan Filchak | November 28, 2018Laughing at the Image Screen: A Review of Sara Greenberger Rafferty at Document
by Ryan Filchak | April 18, 2018Navigating Desire Between Connection and Anonymity: A Review of Christopher Aque at Regards
by Ryan Filchak | October 18, 2017Here Comes the Bogeyman: A Review of Tony Lewis at Shane Campbell Gallery
by Ryan Filchak | June 7, 2017Unfolding Minimalism A Review of Robert Burnier at Andrew Rafacz Gallery
by Ryan Filchak | February 21, 2017Still Lifes for the Touchscreen Age A Review of Alejandro Jimenez-Flores at ADDS DONNA
by Ryan Filchak | November 11, 2016Paintings Glow in a Repurposed Northwest Side Bar A Review of “The Noise of Art” at Soccer Club Club
by Ryan Filchak | October 7, 2016Composing New Choreography for a Modernist Favorite A Review of Amalie Jakobsen at Efrain Lopez Gallery
