by Susan Aurinko | September 20, 2023Young Refugees with Cameras: A Review of “Through Our Eyes” at Italian Cultural Institute
by Susan Aurinko | September 14, 2023Color as Metaphor: A Review of “Suburban” by Jimmy DeSana at Document
by Susan Aurinko | September 7, 2023Echoes of Voices Long Silent: A Review of Alexa Frangos at Perspective Gallery
by Susan Aurinko | August 30, 2023Love and Death in the City of Light: A Review of “Paris Sojourn” at Epiphany
by Susan Aurinko | August 28, 2023All You Need Is Love: A Review of “LOVE: Still Not the Lesser” at MoCP
by Susan Aurinko | August 16, 2023The Luxury of Space: A Review of a Trio of Photographers at Anne Loucks Gallery
by Susan Aurinko | August 3, 2023Looking at Vivian Maier: A Review of Vivian Maier’s Color Photographs at Lubeznik Art Center
by Susan Aurinko | July 27, 2023So Near and Yet So Far: A Review of “Enduring Ties, Resilience and Longing in Cuba”
by Susan Aurinko | July 21, 2023Historic Perspectives: A Review of Chris Kleihege and Eric Holubow at Gallery 1871
