June 21, 2018 at 8:30 am by Elliot Reichert All’s Fair in Love and War: David Wojnarowicz, ART+Positive and AIDS Activism Then and Now
June 20, 2018 at 8:30 am by Sandy Lin From Japan, Modern Portraits In Print: A Review of “Modern Japanese Portraits” at the Art Institute of Chicago
June 19, 2018 at 8:30 am by Chris Miller Bold And New, But Steeped In Tradition: A Review of Xu Longsen at the Art Institute of Chicago
June 18, 2018 at 8:30 am by Lee Ann Norman Poise And Dignity In Every View: A Review of Charles White at the Art Institute of Chicago
June 15, 2018 at 3:45 pm by B. David Zarley Sand, Sea, and the Sublime: A Review of Whitney Bedford at Carrie Secrist Gallery
June 5, 2018 at 8:30 am by Luke Fidler Dialectics of Difference and Repetition in a Repertoire of Forms: A Review of Richard Rezac at the Renaissance Society
May 30, 2018 at 1:30 pm by Chris Reeves There Goes the Neighborhood: A Review of “The Strange Fields of This City” at the Chicago Artists Coalition
May 30, 2018 at 8:30 am by Chris Miller Risking Rebuke in the #MeToo Milieu: A Review of “Visions of Venus” at the Zhou B Art Center
May 29, 2018 at 8:30 am by Alan Pocaro The Collective Stillness We All Need Right Now: A Review of Manuel Mathieu at Kavi Gupta Gallery
May 28, 2018 at 3:30 pm by Alan Pocaro An American Master Remains True to Form: A Review of Alex Katz at Richard Gray Warehouse
