February 8, 2019 at 3:30 pm by Andrew Falkowski On the Ethereal Effervescence of Egg Tempera: A Review of Minami Kobayashi at Goldfinch Projects
January 24, 2019 at 12:00 pm by Chris Miller The Virtuosic Swirl, Splatter, and Drip of the Paint: A Review of Jeane Cohen at Zolla/Lieberman Gallery
January 22, 2019 at 11:00 am by Hiba Ali The Personal and the Private Collapse in the Digital Age: A Review of “Let Me Consider It From Here” at the Renaissance Society
January 12, 2019 at 12:00 pm by Hiba Ali An Expression of the Divine: A Review of Martine Syms at the Graham Foundation
January 11, 2019 at 9:30 am by Chris Miller A Living Tribute to a Geoform Master: A Review of Tomma Abts at the Art Institute of Chicago
January 9, 2019 at 1:30 pm by Ryan Filchak Escaping the Archivist’s Folly: A Review of Jeremy Bolen at Soccer Club Club
January 9, 2019 at 11:00 am by Chris Miller Painting the Dynamics of Networked Cognition: A Review of Ben Tinsley at McCormick Gallery
December 31, 2018 at 1:30 pm by Chris Miller Glimpse the Floating World Before it Floats Away: A Review of “Painting the Floating World” at the Art Institute of Chicago
December 20, 2018 at 1:30 pm by Kerry Cardoza Seeing Womanism Through the Artist’s Lens: A Review of Zakkiyyah Najeebah at Adds Donna
December 4, 2018 at 10:30 am by Alisa Swindell From Japan to Chicago and Back Again: A Review of Yasuhiro Ishimoto at DePaul Art Museum
