February 8, 2019 at 3:30 pm by Andrew Falkowski On the Ethereal Effervescence of Egg Tempera: A Review of Minami Kobayashi at Goldfinch Projects
April 6, 2018 at 1:00 pm by Pia Singh Casting Colorful Spells On A Troll Cult: A Review of Molly Colleen O’Connell at Julius Caesar
November 14, 2017 at 8:30 am by Alan Pocaro The World Keenly Observed: A Review of Mari Eastman at Goldfinch
May 25, 2017 at 4:30 pm by Nicole Mauser Coloring the Space Between Us A Review of Garry Noland at Tiger Strikes Asteroid
April 21, 2017 at 4:00 pm by Kelly Reaves Electric, Eclectic Neural Nets A Review of Jason Karolak and Melissa Pokorny at Devening Projects + Editions
January 25, 2017 at 8:30 am by Alan Pocaro What’s the Point of Abstraction These Days? A Review of Peter Shear and Mie Kongo at Devening Projects
January 10, 2017 at 8:30 am by Kelly Reaves Chaos Reigns in a Chorus of Final Wails A Review of “Welcome to the End” at The Franklin
December 19, 2016 at 8:30 am by Brandon Sward Painting the White Cube Brown A Revew of Marcel Alcalá at Boyfriends
September 28, 2016 at 10:12 am by Kerry Cardoza Performing Sculpture with a Touch of Grim Humor A Review of Mike Rea at The Franklin
September 20, 2016 at 10:30 am by Alan Pocaro Abstraction, Ambiguous As Ever A Review of Alain Biltereyst at Devening Projects + Editions
