by Vera Scekic | November 9, 2023Evocative Materials: A Review of Marian Carow at Hyde Park Art Center
by Ryan Fazio | November 7, 2023The Future is Breath: Candace Hunter Delivers Portals to Change at the Hyde Park Art Center
by Jennifer Smart | October 24, 2023Temple of A Distant Land: A Review of “Dala Nasser: Adonis River” at The Renaissance Society
by Ally Fouts | October 23, 2023Creation for Creation’s Sake: A Review of Ruth Duckworth at Smart Museum
by Ryan Fazio | October 5, 2023Blurring Boundaries: A Review of “Smart to the Core: Poetry is Everything”
by Regan Dockery | September 29, 2023Food for Thought: A Review of “Gelitin: Democratic Sculpture 7” at Neubauer Collegium
by Nicky Ni | September 11, 2023The Whole Package: Looking at the Art Matchmaking of “Not Just Another Pretty Face” at the Hyde Park Art Center
by Debra Couch | July 12, 2023Upending the Kingdom: An Interview with Amber Ginsburg about her Living Sculpture “Untidy Objects”
by Jennifer Smart | May 24, 2023This Show Is A Lot: A Review of Shahryar Nashat and Bruce Hainley at the Renaissance Society
by Jennifer Smart | May 12, 2023Looking In and Through: A Review of Edra Soto’s “Destination/El Destino” at Hyde Park Art Center
