March 7, 2019 at 10:30 am by Chris Miller One Collector’s Effort to Reframe Art History: A Review of “Solidary and Solitary” at the Smart Museum of Art
January 22, 2019 at 11:00 am by Hiba Ali The Personal and the Private Collapse in the Digital Age: A Review of “Let Me Consider It From Here” at the Renaissance Society
September 4, 2018 at 8:30 am by Stephanie Koch Collectivity As Form: “The Time is Now!” and the Legacy of South Side Art Worlds
July 29, 2018 at 10:30 am by Chris Miller Poetic Gestures Painted and Drawn: A Review of Tang Chang at the Smart Museum
June 5, 2018 at 8:30 am by Luke Fidler Dialectics of Difference and Repetition in a Repertoire of Forms: A Review of Richard Rezac at the Renaissance Society
May 24, 2018 at 8:30 am by Luke Fidler Master Prints Shed Light On the Century Before French Art Was In Vogue: A Review of “Art in Seventeenth-Century France” at the Smart Museum
March 5, 2018 at 8:30 am by Luke Fidler Ancient Egyptians Literally Wrote The Book On The Afterlife: A Review of “The Book of the Dead: Becoming God in Ancient Egypt” at the Oriental Institute
February 12, 2018 at 8:30 am by Jameson Paige Between Being and Becoming: A Review of Gordon Hall at the Renaissance Society
January 4, 2018 at 8:30 am by Elliot Reichert Monumental Debates On the Future of Our Past: What To Do With Our Bad Statues?
October 16, 2017 at 8:30 am by Chris Miller Rodin and Nauman Face Off: A Review of “Hysterical Material” at the Smart Museum of Art
