by Regan Dockery | September 15, 2023A New Light: A Review of “Among Friends and Rivals: Caravaggio in Rome” at the Art Institute
by S. Nicole Lane | November 4, 2022Reflections of Trauma: A Review of “Enter the Mirror” at the Museum of Contemporary Art
by Chris Miller | April 16, 2019An Objectionable Object Lesson: A Review of “Rembrandt Portraits” at the Art Institute of Chicago
by Matt Morris | March 20, 2019News and Analysis: Questions Arise When Art Institute Auctions Off Chinese Artworks (Updated)
by Sanaz Sohrabi | March 4, 2019And the Archive Gazes Back: Naeem Mohaiemen at the Art Institute of Chicago
by Elliot Reichert | February 26, 2019The Philanthropist and the Photographer: On Dawoud Bey’s Career and Recent Work
by Chris Miller | January 11, 2019A Living Tribute to a Geoform Master: A Review of Tomma Abts at the Art Institute of Chicago
by Chris Miller | December 31, 2018Glimpse the Floating World Before it Floats Away: A Review of “Painting the Floating World” at the Art Institute of Chicago
