by Vasia Rigou | October 12, 2023Inside the Weave: A Conversation with Bryana Bibbs about “Places (Edition I)” at Tiger Strikes Asteroid
by Ally Fouts | April 20, 2023Projecting the Future: A Review of Katie Neece’s “Haunted Nostalgia” at Middle Child Gallery
by Mel Cook | December 12, 2022The Void of Absence: A Review of Marina Ross’ “Everything Was Forever” at Baby Blue Gallery
by Chris Reeves | August 29, 2022Fertile Ground: MdW Fair Hopes to Seed Collectivity and Artist-Led Change
by Livy Onalee Snyder | July 8, 2022The Rhythm of Queer Love: A Review of Juan Arango Palacios at Jude Gallery
by Megan Bickel | June 8, 2022Play is Pleasure and Play is Invention: A Review of Cat Bowyer at Baby Blue Gallery
by McKenzie Chinn | May 28, 2022How to Plant Flowers at the End of the (Old) World: Thoughts on EVERYTHING MUST GO by Jeffrey Michael Austin at Chicago Art Dept.
by Kerry Cardoza | May 25, 2022Frida’s World: Deepening Our Understanding of the Iconic Artist through the Lens of Others
