by Susan Aurinko | June 27, 2023Compatible Contrast: A Review of Misha Goro and Karen Perl at Addington Gallery
by Susan Aurinko | April 10, 2023A Master Inspired by Masters: A Review of Gregory Crewdson at Alan Koppel
by Susan Aurinko | January 6, 2023Poetic License: A Review of “Encuentros” by Diana Solís at The Poetry Foundation
by Susan Aurinko | November 28, 2022When Bigger is Better: Christian Voigt and David Yarrow at Hilton | Asmus Contemporary
by Susan Aurinko | September 12, 2022Sign of the Times: A Review of Vintage Variety at Stephen Daiter Gallery
by Hadia Shaikh | April 15, 2022A Thrilling Juxtaposition: A Review of Susanne Doremus at Zolla/Lieberman Gallery
by Rafael Francisco Salas | December 15, 2021Reclaiming Memory: A Review of Herman Aguirre at Zolla/Lieberman Gallery
by Lori Waxman | April 23, 202160wrd/min COVID Edition: Jeane Cohen, Cindy Bernhard, Mary Porterfield
by Chris Miller | April 12, 2021The Mastery of Painting: A Review of Fugue State at Victor Armendariz
by Hadia Shaikh | February 1, 2021Decisive Moment: Reflections on a Thirty-Three-Year Journey, as Chicago’s Photography Doyenne Catherine Edelman Closes Her Gallery
