June 24, 2019 at 9:00 am by Caira Moreira-BrownTranscendent Humor: A Review of David Leggett at Shane Campbell Gallery
April 19, 2019 at 10:55 am by Cody TumblinTo Capture the Memory of Light: A Review of Ann Craven’s “Promise (Birds for Chicago)”
March 2, 2019 at 11:00 am by Andrew FalkowskiPainting the Erotic Plunders of Abstraction: A Review of Peter Fagundo at Shane Campbell Gallery
May 23, 2018 at 2:00 pm by Alisa SwindellBeyond Black Panther, Artists Imagine Alternative Worlds: A Review of “In Their Own Form” at the Museum of Contemporary Photography
May 15, 2018 at 8:30 am by Jameson PaigeBlack and Brown and Seen All Over: “Out of Easy Reach” Expands the Limits of Abstraction
May 5, 2018 at 8:30 am by Fulla Abdul-JabbarTracing The Boundaries That Bind: A Review of Elena Ailes at Randy Alexander Gallery
April 23, 2018 at 8:30 am by Kerry CardozaPartake In A Queer, Anti-Capitalist Conspiracy: A Review of Ruby T at Randy Alexander Gallery
March 27, 2018 at 8:30 am by Alisa SwindellTrauma In The Longue Durée: A Review of “Traversing the Past” at the Museum of Contemporary Photography
February 20, 2018 at 1:30 pm by Chris ReevesEnigmatic Propositions on the Past and Present of Human Migration: A Review of Ellen Rothenberg at the Spertus Institute
