February 22, 2023 at 7:00 am by Parker YamasakiWhere To From Here: A Review of Anh-Thuy Nguyen’s “Thuy &” at Robert F. DeCaprio Gallery
February 21, 2023 at 7:00 am by Susan AurinkoSewn Together, Shown Together: A Review of Miller & Shellabarger at (northern) Western Exhibitions
February 7, 2023 at 7:00 am by Vera ScekicFamily Is Family: A Review of Bobbi Meier’s Imperfect Rituals at Riverside Arts Center
June 4, 2021 at 7:00 am by David HammondThis Is Who I Am: The Story Behind the Largest Presentation of Frida Kahlo’s Works in the Chicago Area in Forty Years
January 14, 2020 at 8:00 am by Kerry CardozaLike Pyramids to the Boom Years: Fashion Outlets of Chicago Brings Museum-Quality Art to the Public
August 27, 2018 at 8:30 am by Chris MillerFrom the Holocaust to Woodlawn: “Sculpting a Chicago Artist” at the Koehnline Museum
April 13, 2018 at 8:30 am by Elliot ReichertAds Without Additives: 2018 Guggenheim Fellow Hank Willis Thomas Makes Advertisements Speak Truth to Power at the Block Museum of Art
February 19, 2018 at 8:30 am by Damien JamesAmidst Stardust and Rubble: A Review of David Criner at A+C Architects
February 16, 2018 at 8:30 am by Chris MillerCats, Moon Goddesses, and Visions of the Night: A Review of Gertrude Abercrombie at the Elmhurst Art Museum
October 9, 2017 at 3:30 pm by Chris MillerSpaced-Out Abstraction for the Overcrowded Consciousness: A Review of “Portage” at the Riverside Arts Center
