April 19, 2018 at 8:30 am by Lee Ann Norman Intimate Moves In A Dark Room, Paul Mpagi Sepuya at Document
April 18, 2018 at 8:30 am by Ryan Filchak Navigating Desire Between Connection and Anonymity, A Review of Christopher Aque at Regards
April 3, 2018 at 8:30 am by Andrew Falkowski Frenetic and Fabulous Grids and Dots: A Review of Geoffrey Todd Smith at Western Exhibitions
March 13, 2018 at 8:30 am by Kerry Cardoza Beauty And War In Screenshots From Before: A Review of Howardena Pindell at Document
January 30, 2018 at 8:30 am by Luke Fidler The View from the Bleachers: A Review of “Hand-Eye Coordination: Sports and Art” at Western Exhibitions
January 12, 2018 at 8:30 am by Chris Miller Self-Taught and Self-Proclaimed: A Review of Eddie Owens Martin aka St. Eom at Intuit
December 5, 2017 at 8:30 am by Elizabeth Lalley Haptic Traces of the Moon’s Phases: A Review of Carrie Schneider at Monique Meloche Gallery
December 4, 2017 at 8:30 am by Luke Fidler When Indigenous Politics and Environmental Catastrophe Collide: A Review of Faith Wilding at Western Exhibitions
November 13, 2017 at 8:30 am by Chris Miller Each Work A Festival of Contrasts: A Review of Lui Shtini at Corbett Vs. Dempsey