by Vasia Rigou | August 2, 2023Grounded in Culture: A Review of “Terra Recognita: A Ceramic Story” at Mariane Ibrahim
by Vasia Rigou | June 6, 2023Creating Objects That Resist Definition: A Review of Lilli Carré’s “Stone Figures Mud Drawing” at (northern) Western Exhibitions
by Annette LePique | April 21, 2023Artifacts of Change: A Review of “The Nature of Things: Medieval Art and Ecology, 1100-1550”
by Vera Scekic | February 7, 2023Family Is Family: A Review of Bobbi Meier’s Imperfect Rituals at Riverside Arts Center
by Vasia Rigou | December 21, 2022A Toxic Legacy: A Review of Himali Singh Soin at the Art Institute of Chicago
by Kerry Cardoza | October 24, 2022A Long Look: A Review of “Where She Comes From” at the NEIU Fine Arts Gallery
by Kerry Cardoza | October 14, 2022For Community, By Community: Anchor Curatorial Residency Rethinks Public Art
by Kerry Cardoza | June 3, 2022Building Worlds Out of Clay: Time Traveling With Ceramic Artist Jonathan Pacheco
by Alexandra Drexelius | April 20, 2022Much Ado About Small Things: The Return of Barely Fair, Chicago’s Tiniest International Art Fair
