by Nicole NeSmith | August 10, 2023Afrofuturism, Abstraction and Liminal Spaces: A Review of “Into the Field of Awareness Dances Time” by Monica Brown at ARC Gallery
by Nicole NeSmith | August 8, 2023Exploration of Love: A Review of “Feathering Heights” by Frederick Hovey at ARC Gallery
by Regan Dockery | April 5, 2023An Exploration of Grief: A Review of “Aesthetics of Loss” at the Ukrainian Institute of Modern Art
by Alan Pocaro | February 23, 2023Classic Hits: A Review of Salvador Dali at the Art Institute of Chicago
by Parker Yamasaki | February 14, 2023Order Around Us: A Review of Sheila Held’s “Attempts at a Unified Theory” at the Green Gallery
by Susan Aurinko | November 14, 2022Architectural Legacies Toppled: A Review of Shannon Bool 1:1 at the Museum of Contemporary Photography
by Annette LePique | October 7, 2022Finding Yourself Through Another: Connection, Collaboration and Community in Krista Franklin’s Solo(s) at DePaul Art Museum
by Ally Fouts | March 23, 2022Sacred Objects: A Review of Timely Sanctification at Chicago Artists Coalition
by Kerry Cardoza | March 7, 2022Pebbles in the Sea: A Review of Unseen Things Are Still There at Riverside Arts Center
