April 24, 2019 at 9:00 am by Elliot ReichertBreakout Artists 2019: Chicago’s Next Generation of Image Makers
November 28, 2018 at 1:30 pm by Ryan FilchakLaughing at the Image Screen: A Review of Sara Greenberger Rafferty at Document
October 1, 2018 at 5:39 pm by Lee Ann NormanEXPO Chicago 2018: “Dimensions of Citizenship” and the U.S. Pavilion at the 2018 Venice Architecture Biennale
September 13, 2018 at 1:30 pm by Hiba AliContending With The Internet As Medium And Infrastructure: A Review of “I Was Raised on the Internet” at the Museum of Contemporary Art
July 30, 2018 at 8:30 am by Lindsay HutchensPost-Truth and Proud Of It: A Review of “Truth Claim” at Carrie Secrist Gallery
October 9, 2017 at 3:30 pm by Chris MillerSpaced-Out Abstraction for the Overcrowded Consciousness: A Review of “Portage” at the Riverside Arts Center
September 20, 2017 at 3:30 pm by Chris ReevesThe Artist’s Corpus Disfigured: A Review of Lilli Carré at Western Exhibitions
May 5, 2017 at 8:30 am by Stephen F. EisenmanTo What Ends Do We Conquer Nature? A Review of “The Earth Will Not Abide” at Gallery 400
