by Vasia Rigou | May 9, 2023Getting Her Hands Dirty: A Review of Tanya Aguiñiga’s “Swallowing Dirt” at Volume Gallery
by Jen Torwudzo-Stroh | May 8, 2023Unburdened Beauty: Allana Clarke Creates Singular Sculptures in Pursuit of Black Futurity
by Emeline Boehringer | April 7, 2023Squeaky Clean: A Review of “High Maintenance” at the Chicago Artists Coalition
by Jennifer Smart | March 13, 2023Climate Fiction: A Review of the Chicago Cli-Fi Library at the Neubauer Collegium
by Susan Aurinko | February 21, 2023Sewn Together, Shown Together: A Review of Miller & Shellabarger at (northern) Western Exhibitions
by Vasia Rigou | December 21, 2022A Toxic Legacy: A Review of Himali Singh Soin at the Art Institute of Chicago
by Kerry Cardoza | October 14, 2022For Community, By Community: Anchor Curatorial Residency Rethinks Public Art
by John Bateman | October 12, 2022Redefining Ballet, Redefining Form, Challenging Control: The Art of Brendan Fernandes
