January 22, 2019 at 11:00 am by Hiba AliThe Personal and the Private Collapse in the Digital Age: A Review of “Let Me Consider It From Here” at the Renaissance Society
January 9, 2019 at 1:30 pm by Ryan FilchakEscaping the Archivist’s Folly: A Review of Jeremy Bolen at Soccer Club Club
December 20, 2018 at 1:30 pm by Kerry CardozaSeeing Womanism Through the Artist’s Lens: A Review of Zakkiyyah Najeebah at Adds Donna
December 19, 2018 at 8:00 am by Alisa SwindellWhen the Personal Is Political, and Vice Versa: A Review of “The Many Hats of Ralph Arnold: Art, Identity & Politics” at the Museum of Contemporary Photography
December 4, 2018 at 10:30 am by Alisa SwindellFrom Japan to Chicago and Back Again: A Review of Yasuhiro Ishimoto at DePaul Art Museum
November 29, 2018 at 12:30 pm by Vasia RigouThe Heart Is Where The Art Is: 3Arts Supports Diversity and Inclusion in Chicago’s Art World
November 28, 2018 at 1:30 pm by Ryan FilchakLaughing at the Image Screen: A Review of Sara Greenberger Rafferty at Document
November 28, 2018 at 10:30 am by Lee Ann NormanCultivating Equity in the Space of Dissonance: A Review of Ebony G. Patterson at Monique Meloche
October 29, 2018 at 1:30 pm by Vasia RigouConstructing A Queer Photographic Archive: A Review of Helen Maurene Cooper’s Blue Angels at Bert Green Fine Art
