April 7, 2018 at 8:30 am by Luke Fidler This Major Retrospective Asks How “To Paint The Indian”? A Review of Rick Bartow at the Schingoethe Center
March 12, 2018 at 1:30 pm by Chris Miller Fake It When You Make It: A Review of “This Is A Pipe” at Shane Campbell Gallery
March 2, 2018 at 3:30 pm by Alan Pocaro The Lookbook For Our Fluid Future: A Review of Andrew Holmquist at Carrie Secrist Gallery
February 16, 2018 at 8:30 am by Chris Miller Cats, Moon Goddesses, and Visions of the Night: A Review of Gertrude Abercrombie at the Elmhurst Art Museum
February 13, 2018 at 8:30 am by Chris Miller Drawings, Dante and Degenerate Art: A Review of Otto Neumann at State Street Gallery at Robert Morris University
January 30, 2018 at 8:30 am by Luke Fidler The View from the Bleachers: A Review of “Hand-Eye Coordination: Sports and Art” at Western Exhibitions
December 29, 2017 at 2:00 pm by Chris Miller Eschatology Meets Anxiety at the Turn of A Century: A Review of “Apocalyptic Imagery in England 1750-1850” at the Haggerty Museum of Art
December 7, 2017 at 8:30 am by Luke Fidler Lionizing The Master Of Modern Sculpture Once Again: A Review of Auguste Rodin at the Art Institute of Chicago
November 17, 2017 at 8:30 am by Chris Miller Modernist Treasures In A Motley Melange: A Review of “Degas to Picasso: Creating Modernism in France” at the Milwaukee Art Museum
November 2, 2017 at 8:30 am by Luke Fidler Printmakers Innovated In Modern Japan: A Review of City and Country at the Art Institute
