by Rafael Francisco Salas | August 29, 2023The Madeleine Moment: A Review of “Florence/Somerset” at Alice Wilds Gallery
by Nicole NeSmith | August 7, 2023Language and Movement Reinterpreted: A Review of “In Longhand” by Doug Cannell at ARC Gallery
by Nicole NeSmith | August 1, 2023History at Work: A Review of George Petrides’ “Hellenic Heads” at National Hellenic Museum
by Chris Reeves | July 25, 2023A Poem to Non-Human Actors: A Review of Kayla Anderson and Dao Nguyen at Comfort Station
by Nadya Kelly | July 18, 2023Here and Now: A Review of “The Happiness Show” at Epiphany Center for the Arts
by Debra Couch | July 12, 2023Upending the Kingdom: An Interview with Amber Ginsburg about her Living Sculpture “Untidy Objects”
by Regan Dockery | July 10, 2023Isolated Conversations: A Review of “I wish I was alone right now” at Soccer Club Club
by Vasia Rigou | June 22, 2023Twilight Transcendence: A Review of Lucas Simões “Luscofusco” at Patron Gallery
