by Nicky Ni | November 6, 2023Collective Imaginary: A Review of “Earthly Visions—Inside the Climate Crisis” at Gallery 400
by Regan Dockery | October 26, 2023Consider Ourselves: A Review of “Difference Machines: Technology and Identity in Contemporary Art” at Wrightwood 659
by Jennifer Smart | October 16, 2023Across Layers of Reality: A Review of Jacolby Satterwhite at SAIC Galleries
by Vasia Rigou | October 11, 2023Sprinting Through Dreamscapes: A Review of Lauren Wy’s “The Runner” at Western Exhibitions
by Ryan Fazio | October 5, 2023Blurring Boundaries: A Review of “Smart to the Core: Poetry is Everything”
by Chris Reeves | July 25, 2023A Poem to Non-Human Actors: A Review of Kayla Anderson and Dao Nguyen at Comfort Station
by Vasia Rigou | June 13, 2023The Fire Right Now: Gary Simmons Fights the Power with “Public Enemy” at the MCA
by Jennifer Smart | May 24, 2023This Show Is A Lot: A Review of Shahryar Nashat and Bruce Hainley at the Renaissance Society
by Emeline Boehringer | April 7, 2023Squeaky Clean: A Review of “High Maintenance” at the Chicago Artists Coalition
