May 23, 2022 at 7:00 am by Pia SinghBeyond the Void: Nate Young on Recreating History and Making Art Anew
January 26, 2022 at 7:00 am by Erin ToaleEarthly Delights: A Review of Dan Gunn at Monique Meloche Gallery
December 13, 2021 at 7:00 am by Caira Moreira-BrownFilling the Void: A Review of David Antonio Cruz at Monique Meloche
May 21, 2021 at 7:00 am by Alexandra DrexeliusAll That She Is: A Review of Ebony G. Patterson at Monique Meloche
June 8, 2020 at 7:00 am by Kerry CardozaGoing Forward: The Role of Art Institutions in the Fight for Racial Justice
September 17, 2019 at 11:36 am by Caira Moreira-BrownCentering the Marginalized: A Review of David Antonio Cruz at Monique Meloche Gallery
June 12, 2019 at 11:45 am by Caira Moreira-BrownIdentity, Psyche and Gender Through the Black Body: A Review of “Show Me Yours” at Monique Meloche
November 28, 2018 at 10:30 am by Lee Ann NormanCultivating Equity in the Space of Dissonance: A Review of Ebony G. Patterson at Monique Meloche
December 5, 2017 at 8:30 am by Elizabeth LalleyHaptic Traces of the Moon’s Phases: A Review of Carrie Schneider at Monique Meloche Gallery
