by Vasia Rigou | January 19, 2023The Reigning Legacy of Drag: A Review of Jojo Baby’s “the bandages are off” at Paris London Hong Kong
by Alan Pocaro | July 3, 2018Painting Between Desire And Sublimation: A Review of Gretta Johnson at Paris London Hong Kong
by Elliot Reichert | May 25, 2018New Frontiers: As the West Loop Loses its Gallery District, Chicago Artists Coalition Finds Fresh Space to Build on its Mission
by Andrew Falkowski | October 13, 2017Playing with the Possibilities of Form: A Review of Adam Henry at Paris London Hong Kong
by Denise Joseph | July 1, 2017Time as an Interloper A Review of Jaclyn Mednicov at Paris London Hong Kong
by Frances Dorenbaum | December 14, 2016Subtle Details Delight the Careful Eye A Review of Clay Mahn at Paris London Hong Kong
by Alan Pocaro | June 1, 2016Pizza, Basketball and Twenty-First-Century Irony A Review of Boyang Hou at Paris London Hong Kong
by Stephen F. Eisenman | September 26, 2015Review: James Hyde/Volume Gallery and Paris London Hong Kong
