60wrd/min COVID Edition: Lee Robson Spence, Boom Bloom, Seen But Not Felt
As summer nears and more and more exhibition spaces re-open to the public, Waxman presents her final column, covering a broad swath of Midwestern projects.
Visualizing Desire: A Review of Love, Lust, and Loss in Renaissance Europe at the Smart Museum
Visualizing the relationship between desire and the winning or losing of what you want, artists elaborated the themes of love and lust in more ways than one.
60wrd/min COVID Edition: Is This Real?, Survey 2
In this weekly column, art critic Lori Waxman adapts her 60wrd/min project to review work by artists whose practice has been affected by the pandemic.
Art Top 5: May 2021
A new crop of exhibitions grows as spring comes into full swing.
60wrd/min COVID Edition: Jeane Cohen, Cindy Bernhard, Mary Porterfield
In this weekly column, art critic Lori Waxman adapts her 60wrd/min project to review work by artists whose practice has been affected by the pandemic.
In Control: In the Driver’s Seat with Angela Ziqi Zhang
In dialogue with the formal concerns of modernism as well as the semiotic traditions of still life, Zhang’s panels never submit themselves to pure medium or pure illusion.
Fading Moments: A Review of Context 2021 at Filter Photo
Context 2021 stands out not only from other pandemic-centric exhibitions, but also from past iterations of the annual group show.
Radically Simple: A Review of Marcia Hafif at RUSCHMAN
In this tightly focused show, the essence of painting, far from being simply the accumulation of paint on surface, is shown to reside at least as much in the reflected wavelengths of light that strike the eye of the viewer.
60wrd/min COVID Edition: SaraNoa Mark, Not Afraid, Lise Haller Baggesen
In this weekly column, art critic Lori Waxman adapts her 60wrd/min project to review work by artists whose practice has been affected by the pandemic.
Beyond the Photograph: A Review of Reproductive: Health, Fertility, Agency at the MoCP
The artists in this exhibition have together constructed a multitude of broken narratives, a medley of their own “mortality, vulnerability, mutability.”
