by Jefferson Godard | March 9, 2026Michelle Wasson Paints Liminal Territories at Andrew Rafacz Gallery In “Songs of the Marauder,” Michelle Wasson constructs luminous landscapes that hover between hopeful and ominous.
by Samuel Schwindt | December 8, 2025Wells Chandler Creates an Oasis of Allegorical Avatars at Andrew Rafacz Gallery The New York artist makes hand-crocheted installations that chart a queer iconography.
by Curtis Anthony Bozif | October 7, 2025Robert Burnier’s Objects of Allure at Andrew Rafacz Gallery Not quite painting, and not quite sculpture, the work Robert Burnier has made over the past decade—and for which he’s become well known—fits easily within the category of what Donald Judd called “specific objects."
by Gabriel Chalfin-Piney-González | August 5, 2025Community or Mushroom Tea: A Review of Serena JV Elston at Andrew Rafacz Gallery
by Charles Venkatesh Young | June 25, 2025The Interpretation of Sunbeams: A Review of Josh Dihle at Andrew Rafacz Gallery
by Regan Dockery | June 7, 2024Hug Your Younger Self: A Review of “Griffin Goodman: Don’t Eat the Glue” at Andrew Rafacz Gallery
by Charles Venkatesh Young | May 8, 2024Bare Life: A Review of Soumya Netrabile at Andrew Rafacz Gallery
by Regan Dockery | December 21, 2023Nighttime Departures: A Review of “Nocturne” at Andrew Rafacz Gallery
by Annette LePique | June 8, 2023Freedom in Abstraction: A Review of “Friendship’s Death” at Andrew Rafacz
