by K.A. Letts | August 19, 2026How Artclvb Is Working To Replace Mass-Produced Decor With Real Art by Living Artists When Dorota and Steve Coy studied the relationship of today’s creatives to the cultural ecosystem, they discovered a massive gap between the traditional art market and a much larger but more humble demand among the general public.
by K.A. Letts | May 11, 2026Carole Harris’ Origin Story in “This Side of the River” at MOCAD Harris' fiber pieces and archival materials comment on civic events and her response through her work from 1966 to the present.
by K.A. Letts | May 1, 2026Toledo Museum of Art’s “Cursed!” Projects an Air of Mystery “Cursed! The Power of Magic in the Ancient World” takes visitors through fifteen centuries of magical practice from ancient Egypt to the height of the Roman empire.
by K.A. Letts | February 10, 2026Robert Schefman’s Paintings Turn Realism Toward Existential Unease In the exhibition at David Klein Gallery in Ferndale, Michigan, the artist maintains his willed belief in the power of the illusionistic painted image.
by K.A. Letts | October 27, 2025Gems with Histories: Jewels as Innovation at Toledo Museum of Art The exhibition “Radiance and Reverie” delves into the design history and star-studded journey of over 150 dazzling jewels from the Neil Lane collection.
by K.A. Letts | October 10, 2025Ryan Standfest Paints a Post-Industrial Parable in Detroit The artist's solo exhibition at Birmingham Bloomfield Art Center shows paintings and prints depicting derelict architecture within enigmatic landscapes.
by K.A. Letts | August 25, 2025Conversing with the Old Masters: A Review of “Divine Impressions” at Galerie Camille in Detroit
by K.A. Letts | July 31, 2025Dotting Sensation: A Review of Carlo Vitale at NCRC Rotunda Gallery at University of Michigan, Ann Arbor
by K.A. Letts | July 21, 2025Prosperity and Persistence: A Review of LaKela Brown and Mario Moore at Library Street Collective
by K.A. Letts | June 6, 2025Everywhere All at Once: A Review of “David Hockney—Perspective Should Be Reversed” at Grand Rapids Art Museum
