by Zara Yost | September 18, 2026Georgia O’Keeffe’s Lifelong Obsession with Architecture A look into O'Keeffe's overshadowed passion through an intimate collection of her works at the Detroit Institute of Arts.
by K.A. Letts | May 11, 2026Carole Harris’ Origin Story in “This Side of the River” at MOCAD Harris' fiber pieces and archival materials comment on civic events and her response through her work from 1966 to the present.
by Frank Juárez | January 15, 2026Tyree Guyton’s Heidelberg Project Celebrates Forty Years at the John Michael Kohler Arts Center “Heidelbergology: Is It Art Now?” is more than an exhibition; it is a celebration of the people of Detroit.
by K.A. Letts | August 25, 2025Conversing with the Old Masters: A Review of “Divine Impressions” at Galerie Camille in Detroit
by K.A. Letts | July 21, 2025Prosperity and Persistence: A Review of LaKela Brown and Mario Moore at Library Street Collective
by K.A. Letts | April 10, 2025Resilience and Tenacity: A Review of “Illiminality—Compressed Spaces” at Galerie Camille, Detroit
by K.A. Letts | February 21, 2025The Vicissitude of the Rust Belt: A Review of “In Their Own Backyard—Michigan Artists and Architecture” at Flint Institute of Arts, Michigan
by Alex Vlasov | December 19, 2024Disarming Intensity: A Review of Emily Olszewski at Abattoir Gallery, Cleveland
by K.A. Letts | December 18, 2024Surrealism 2.0: Four Exhibitions at MOCAD that Define New-Wave Surrealism
by K.A. Letts | November 11, 2024Carriers of Culture: A Review of Kelly Church and Cherish Parrish at Stamps Gallery, Ann Arbor
